‘This is our backyard’
São Paulo’s concrete ‘beach’ lovers
Planned and built during the Brazilian dictatorship, the Elevado João Goulart, a two-mile viaduct mostly known as the Minhocão, connects the centre of São Paulo with its western area. Due to its proximity to people’s homes, many complained about the rising car noise in a city where motor transport domination was, and is still, booming. But, at more than 50 years old, the destiny of the Minhocão is still uncertain as it is being taken over by pedestrians. It could be demolished; it could also become a park.
With a lack of public spaces in a crowded city, conquering new places for pleasure is mandatory to survive the concrete jungle. Nowadays, the viaduct is opened to pedestrians at night and at weekends. With no cars rushing in the upper part, people can walk, run, cycle, skate, or even sunbathe in bikinis, a bit “closer to the sun” –maybe that is the reason why some call it praia Paulistana – their concrete beach.
I moved to São Paulo during the pandemic, right after the second wave. Leaving the airport at night, I was welcomed by a dark sky covered in clouds mixed with smog, grey buildings standing at the sides of the road and a dramatic flux of motorbikes, cars and big trucks. At first glimpse, one would think this is a grey city. But grey defines more than just one colour. And São Paulo has many shades of grey.
As a newbie cyclist in such a chaotic city, I started asking for recommendations of places I could ride to, and the Minhocão was a word I heard repeatedly. It’s Paulistano’s beach, someone told me smiling, so I decided to give it a try. I cycled there on a sunny summer day. The sun was hot, as the streets were too. When I finally got there, I was caught by the relationship that people had with that huge mass of concrete surrounded by more concrete, shining under the direct sunlight. Almost every space was filled with tall buildings. How would someone call that their beach?. But it started becoming mine too. At that time, I wished I had my camera, but it wasn’t on me, so I planned to come back soon.
Photography has been to me not only a great tool to bring stories to life but also to meet people in places I don’t know at all. Many of the persons I photographed have become friends today. This essay was my first approach to São Paulo, a city of strong contrasts that I still don’t know nor understand, where trees grow higher and violence coexists with love. And in places like these, it is people, and not places, that make us feel at home.
Tatiane and Ketsia posing for a portrait at the concrete beach.
Leandro Pinho and Vagner Nascimento wait for some friends to celebrate Leandro's 36th birthday at the concrete beach.
Cendira Carvalho (São Paulo) and his partner Hugo Azevedo (Rio de Janeiro) sit on beach chairs in the Minhocão viaduct in the center of São Paulo.
Nathalie Sudbrack poses for a portrait on her bike in the Minhocão viaduct in the center of São Paulo.
A man sunbathes at the Minhocão viaduct in the Center of São Paulo.
Simone Evangelista and Sofia Fernandes pose for a portrait with her dogs Manu and Laika, at the Minhocão viaduct in São Paulo.
Giulia Binotti and Laura Parente sunbathe at the Minhocão viaduct in the Center of São Paulo.
Tiago Miranda and Mário Miranda (with Larah and Margot)